·Î±×ÀÎ ¤Ó ȸ¿ø°¡ÀÔ ¤Ó Àå¹Ù±¸´Ï ¤Ó ¸¶ÀÌÆäÀÌÁö
kangcom
Àüü
ÄÄÇ»ÅÍ IT
°ÇÃà
µðÀÚÀÎ
¹®ÇÐ
¾ð¾î/¾ð¾îÇÐ
Àι®»çȸ
ºñÁî´Ï½º/°æÁ¦
ÀÚ¿¬°úÇÐ/±â¼ú°úÇÐ
ÀÇÇÐ/°Ç°­
¿ª»ç/Áö¸®/°ü±¤
¿¹¼ú/´ëÁß¹®È­
¾Æµ¿¹®ÇÐ
À¯¾Æ/¾î¸°ÀÌ
Ãë¹Ì/½Ç¿ë
¿ä¸®
»çÀü·ù/Âü°íÀÚ·á
¼öÇè¼­/ÀÚ°ÝÁõ/Ãë¾÷
¿¬¼Ó°£Ç๰
¿ª»ç & ºñÆÇ
  È¨  >   > 
  ÀϹݠ(36)
Á¤»óÆÇ¸Å »óǰ¸¸ º¸±â ǰÀý/ÀýÆÇ »óǰ¸¸ º¸±â Ãâ°£¿¹Á¤ »óǰ¸¸ º¸±â  
¡Ø ¼±ÅúоßÀÇ Á¤»óÆÇ¸Å µµ¼­Á¾¼ö : ÃÑ 36 Á¾ ÀÔ´Ï´Ù.
óÀ½ ÀÌÀü   1  2   ´ÙÀ½ ¸¶Áö¸·
  We Can Make It If We Try: Four Scenarios for Design Democracy  
Onomatopee | Ellen Zoete | ¿ø¼­ | 2014-09-01  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 41,900¿ø ¡æ ÆÇ¸Å°¡ 26,800¿ø (36%) | ¸¶Àϸ®Áö 270¿ø(1%)
¿¹»óÀÔ°í±â°£: 21~30ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  Joypads!: The Design of Game Controllers  
Createspace | Nicolas Nova | ¿ø¼­ | 2014-08-05  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 21,800¿ø ¡æ ÆÇ¸Å°¡ 16,100¿ø (26%) | ¸¶Àϸ®Áö 160¿ø(1%)
¿¹»óÀÔ°í±â°£: 7~12ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  A5/06: Hfg Ulm: Concise Hisotry of the Ulm School of Design  
Lars Muller Publishers | Jens Muller | ¿ø¼­ | 2013-12-20  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 56,000¿ø ¡æ ÆÇ¸Å°¡ 39,200¿ø (30%) | ¸¶Àϸ®Áö 390¿ø(1%)
¿¹»óÀÔ°í±â°£: 14~21ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  Teoria Da Criatividade: Um Ensaio Sobre O Ser Criativo  
Createspace | MR Paulo Cardoso | ¿ø¼­ | 2013-12-15  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 14,600¿ø ¡æ ÆÇ¸Å°¡ 11,400¿ø (22%) | ¸¶Àϸ®Áö 110¿ø(1%)
¿¹»óÀÔ°í±â°£: 7~12ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  Books on Japan 1931-1972: Japanese Propoganda Books  
Bnn, Inc.; RAM | Yoshiyuki Morioka | ¿ø¼­ | 2013-09-01  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 78,400¿ø ¡æ ÆÇ¸Å°¡ 54,900¿ø (30%) | ¸¶Àϸ®Áö 550¿ø(1%)
¿¹»óÀÔ°í±â°£: 14~21ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  Druids, Celts, and Romans: The Founders of Europe  
Createspace | MR James Francis Smith | ¿ø¼­ | 2013-07-11  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 21,900¿ø ¡æ ÆÇ¸Å°¡ 17,500¿ø (20%) | ¸¶Àϸ®Áö 180¿ø(1%)
¿¹»óÀÔ°í±â°£: 7~12ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  An Introduction to Design and Culture: 1900 to the Present  
Routledge | Penny Sparke | ¿ø¼­ | 2013-01-21  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 168,000¿ø ¡æ ÆÇ¸Å°¡ 139,400¿ø (17%) | ¸¶Àϸ®Áö 1,390¿ø(1%)
¿¹»óÀÔ°í±â°£: 20~25ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  Package Design Book 2  
Taschen | | ¿ø¼­ | 2012-11-01  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 84,000¿ø ¡æ ÆÇ¸Å°¡ 60,500¿ø (28%) | ¸¶Àϸ®Áö 610¿ø(1%)
¿¹»óÀÔ°í±â°£: 20~25ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
All wrapped up: An international roundup of contemporary packaging design   Packaging is a highly underrated art form. As the first thing a consumer sees when looking at a pr...
  The Design Way: Intentional Change in an Unpredictable World  
MIT Press (MA) | Erik Stolterman | ¿ø¼­ | 2012-07-27  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 51,100¿ø ¡æ ÆÇ¸Å°¡ 41,900¿ø (18%) | ¸¶Àϸ®Áö 420¿ø(1%)
¿¹»óÀÔ°í±â°£: 7~12ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  Dream Factories: People, Ideas and Paradoxes of Italian Design  
Mondadori Electa | Silvana Annicchiarico | ¿ø¼­ | 2012-07-16  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 112,000¿ø ¡æ ÆÇ¸Å°¡ 80,600¿ø (28%) | ¸¶Àϸ®Áö 810¿ø(1%)
¿¹»óÀÔ°í±â°£: 7~12ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  Information Graphics  
Taschen | Sandra Rendgen | ¿ø¼­ | 2012-05-27  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 95,000¿ø ¡æ ÆÇ¸Å°¡ 85,500¿ø (10%) | ¸¶Àϸ®Áö 860¿ø(1%)
¿¹»óÀÔ°í±â°£: 7~12ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
Seeing is understanding: How complex ideas can be communicated via graphics   “If you can’t explain it simply, you don’t understand it well enough.” ...
  Dutch Design in the 21st Century: Hands On!  
Center for Natural Healing | Jeroen Junte | ¿ø¼­ | 2012-04-16  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 82,600¿ø ¡æ ÆÇ¸Å°¡ 59,500¿ø (28%) | ¸¶Àϸ®Áö 600¿ø(1%)
¿¹»óÀÔ°í±â°£: 7~12ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  Design ACT: Socially and Politically Engaged Design Today - Critical Roles and Emerging Tactics  
Sternberg Press | Magnus Ericson | ¿ø¼­ | 2012-04-15  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 34,900¿ø ¡æ ÆÇ¸Å°¡ 26,500¿ø (24%) | ¸¶Àϸ®Áö 270¿ø(1%)
¿¹»óÀÔ°í±â°£: 20~30ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  Adversarial Design  
MIT Press (MA) | Carl DiSalvo | ¿ø¼­ | 2012-04-13  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 40,900¿ø ¡æ ÆÇ¸Å°¡ 33,500¿ø (18%) | ¸¶Àϸ®Áö 340¿ø(1%)
¿¹»óÀÔ°í±â°£: 7~12ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  China's Design Revolution  
MIT Press (MA) | Lorraine Justice | ¿ø¼­ | 2012-03-30  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 30,700¿ø ¡æ ÆÇ¸Å°¡ 22,400¿ø (27%) | ¸¶Àϸ®Áö 220¿ø(1%)
¿¹»óÀÔ°í±â°£: 7~12ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  Design, Creativity and Culture: An Orientation to Design  
Black Dog Publishing | Maurice Barnwell | ¿ø¼­ | 2011-10-11  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 41,900¿ø ¡æ ÆÇ¸Å°¡ 31,900¿ø (24%) | ¸¶Àϸ®Áö 320¿ø(1%)
¿¹»óÀÔ°í±â°£: 21~30ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  The British Embassy in Paris  
Flammarion-Pere Castor | Tom Knox | ¿ø¼­ | 2011-10-04  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 91,000¿ø ¡æ ÆÇ¸Å°¡ 66,400¿ø (27%) | ¸¶Àϸ®Áö 660¿ø(1%)
¿¹»óÀÔ°í±â°£: 7~12ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  Italian Uniqueness: 1961-2011: The Making of a National Identity  
Marsilio Editori | Enrico Morteo | ¿ø¼­ | 2011-09-06  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 77,000¿ø ¡æ ÆÇ¸Å°¡ 57,000¿ø (26%) | ¸¶Àϸ®Áö 570¿ø(1%)
¿¹»óÀÔ°í±â°£: 14~21ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  Menu Design  
Taschen | Jim Heimann | ¿ø¼­ | 2011-08-15  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 72,000¿ø ¡æ ÆÇ¸Å°¡ 64,800¿ø (10%) | ¸¶Àϸ®Áö 0¿ø(0%)
¿¹»óÀÔ°í±â°£: 7~12ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
  Avant-Garde Art in Everyday Life: Early Twentieth-Century European Modernism  
Art Institute of Chicago | Jared Ash | ¿ø¼­ | 2011-07-26  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 70,000¿ø ¡æ ÆÇ¸Å°¡ 51,100¿ø (27%) | ¸¶Àϸ®Áö 510¿ø(1%)
¿¹»óÀÔ°í±â°£: 21~30ÀÏ ¼Ò¿ä¿¹Á¤ (±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
óÀ½ ÀÌÀü   1  2   ´ÙÀ½ ¸¶Áö¸·
À̸ÞÀÏÁÖ¼Ò¼öÁý°ÅºÎ